See the SonicScoop Platinum Engineers Panel LIVE at AES!
It’s our favorite time of year again at SonicScoop: AES TIME! Once again, our own Justin Colletti will be hosting the Platinum Engineers Panel, and If it’s anything like prior years, we’re expecting...
View ArticleHeard City — NYC Audio Post Facility Announces 3D Audio Services
Heard City is now among the pioneering audio post-production companies providing virtual reality (VR) audio services. The HC is now VR capable. Quick Lesson: 3D audio involves placement of sound...
View ArticlePreSonus Ships Studio 192 Audio Interface and Studio Command Center
You can get more than ever into a small space. Case in point is the new PreSonus Studio 192 USB 3.0 Audio Interface and Studio Command Center. A 26×32 interface that can record at up to 192 kHz, it...
View ArticleStudio Sweet Spot: All Welcome Records – Inglewood, CA
R E S P E C T — find out what it means to sound. That sense of respect is something you’ll find in spades at All Welcome Records. You can sense it between partners, for the principles of audio, and for...
View ArticleAES 139, NYC – Transaudio Group Re-Launches Auratone Reference Monitors
Originally developed by Jack Wilson in 1958, the Super Cube quickly became one of the most iconic reference monitors in the audio industry. The original one-way, zero crossover reference monitors...
View ArticleSonicScoop’s AES 2015 Preview and Highlights
This year, the Audio Engineering Society is back in New York City, bringing the 139th International AES Convention to the Big Apple from October 29th to November 1st. Whether you’ll be there to learn,...
View ArticleSoftware Review: Boom Library’s Virtual Foley Artist
The interface for Virtual Foley Footsteps. Anyone who works with sound for picture is probably familiar with Boom Library’s collection of sound FX libraries. Boom Library products cover a vast array of...
View ArticleGet “That” Guitar Tone: Foo Fighters Edition
A guitar player doesn’t have to be a storied virtuoso to deliver a great tone that countless musicians and fans seek to emulate—or to simply keep in their ears as an extremely useful reference point...
View ArticleNew to SonicScoop? Start Here.
Just picked up a discount card from AES? Just stumbled onto us through a web search or one of our giveaways? Here’s a good way to get acquainted with what we do at SonicScoop: See what stories others...
View ArticleAES 2015: Top Picks & Pics from the Showroom Floor
This was a memorable weekend to be in New York City. The Mets were embroiled in the World Series, the NYC Marathon powered through all five boroughs, and Halloween fell on a Saturday night, capped by...
View ArticleAES 2015 Photo Journal: Panels & Parties
Yesterday, we shared our massive photo review of the best and most innovative new gear of the 2015 AES convention. Today, we’d like to share a few pics from some of the coolest panels and hottest...
View ArticleMOTU Introduces MicroBook IIc Ultra Compact Audio Interface
The USB 2.0 interface from MOTU expands on the success of its original MicroBook interface. The major addition to the new MicroBook IIc is the USB audio class compliance allowing compatibility with...
View ArticleUniversal Audio Launches 4 New Plugins – Eventide H910 Harmonizer, Marshall...
No matter what kind of music you produce, Universal Audio’s launch of UAD Software v8.4 and the four accompanying new plugins for UAD-2 DSP Accelerators and Apollo have got you covered. Should you...
View ArticleGear Review: Sonarworks Reference 3 Room & Speaker Correction Suite
Sonarworks’ Reference 3 Suite. One of the biggest challenges that professional audio engineers have to deal with today is the actual work environment. Newly-available technology and shrinking budgets...
View ArticleAntelope Introduces Four New Products at AES 139 in NYC
Antelope rolled out a trifecta of new hardware products for us at last week’s AES 139: the 10MX Atomic Clock, Orion 32+, Orion Studio, plus a new software reverb, AuraVerb. Orion 32+ The Orion 32+ The...
View ArticleComposer Cribs: Charlie Clouser, Los Angeles, CA
Some composers live a career behind the scenes – Charlie Clouser is not one of them. While he currently spends his days and nights creating high-visibility soundtracks (the entire Saw series, Resident...
View ArticleQwire Music-to-Picture Cloud Platform Raises $2.5 Million; Licensed by ABC...
Qwire is a platform for professionals involved with putting audio to motion picture. Launched in 2014, NYC- and LA-based Qwire has seen fast growth, recently raising $2.5 million in its initial funding...
View ArticleRode NTR Active Ribbon Microphone Review
The Røde NTR Ribbon Microphone. At one of my earliest recording sessions, I tried to describe a sound I was going for: ”Dark, but not muddy; mid-heavy but not crowded, and with enough high end to peak...
View ArticleUp & Coming Engineers: Josh Gannet on Assisting, Tracking, and Being Prepared.
Josh Gannet is an audio engineer and producer who has racked up a ton of major credits as an assistant engineer, working in the studio with artists including Redman, Keith Richards, Slash, Steve...
View ArticleRadial’s McBoost Now Shipping — Ribbon & Dynamic Mic Booster
Another all-steel, book-enclosed module is brought to us by Radial. Radial Engineering’s McBoost is powered by 48V phantom power. The McBoost is a dual FET class-A circuit for boosting low-output...
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